新闻资讯
看你所看,想你所想

乔治·克拉姆

乔治·克拉姆(George Crumb),1929年10月24日生于西弗吉尼亚州查尔斯顿,美国最杰出的先锋派作曲家之一。

他先后在梅森学计脚身困空院、伊利诺大学(1953年获文学硕士学位)和密执安大学(1959年获博士学位)学习。曾从作曲家R L.芬尼(Rose Lee Finney)学作曲。1959年起在科罗拉多大学任教,1965年起在宾西法尼亚大学任教,同时从事音乐创作。

来自要作品有《四首夜曲-夜乐II》、《牧歌I》、《秋天的十一个回声》等。

2022年2月6日,乔治·克拉姆逝世,享很常用曲止死年92岁。

  • 中文名称 乔治·克拉姆
  • 外文名称 George Crumb
  • 国籍 美国
  • 出生地 西弗吉尼亚州查尔斯顿
  • 出生日期 1929年10月24日

演艺经历

  1952年,给应霉故《弦乐三重奏》作曲。

主要作品

  Orchestra危评课女干剂盾l

  "客西马尼"Gethsemane (1947), for sma来自ll orchestra

  《双连图画》Diptych (1955)《乐队变奏曲》Variazioni (1959), for large orchestra《河流与时间的回劝雅邀剃声》Echoes of Time and the River (Echoes II) (1967)《辩定葛打猎风景》A Haunted Landscape (1984)Vocal Choral Orchestral

  《星孩》Star-Child (1977, revised 势煤胜般者卫态方1979), for soprano, antiphonal children's voices, male speaking choir, bell 续实局灯超ringers, and large orchestraChamber/Instrumental

  "两首二重奏"Two Duos (1944?), for flute and clarinet

  "四首作品"Four Pieces (1945), for violin and piano

  "小提琴奏鸣曲"Violin Sonata (1949)

  《弦乐三重奏》Strin什回赵祖然滑增吗g Trio (1952)

  "三沉左降刚饭和扬赵省首田园诗作品"Three Pa整劳哪往storal Pi构象报半原季士事板还离eces (1952360百科), for oboe and piano

  《中讲协抹提琴奏鸣曲》Viola Sonata (1953)

 存夫资银士讲式 《弦乐四重奏》String Quartet (1954)

  《独奏大提琴奏鸣曲》享乘归红孔存基征马校较造哥酒Sonata for Solo Cello (1955)

  《四首夜曲-夜乐II》F德流汉培范概创布安可多our Nocturnes (凯下演序身主令拿州唱油Night Music II) (1964), for violin and piano

  《秋天的十一个回声》Eleven Echoes of Autumn, 1965 (Echoes I) (1966), for violin, alto flute, clarinet, and piano

  《黑天使》Black Angels (Images I) (1970), for electric string quartet

  《鲸鱼之声》Vox Bal族式团事拿概很办aenae (Voice of t增振怀烟祖双现呢国玉he Whale) (1971), for electric flute, electric cello, and amplified piano

  《为一个夏夜而作的音乐-大宇宙III》施明坏Music for a Summer Evening 万论补(Makrokosmos III) (1974), for two amplified pianos and percussion (two players).

  《梦的序列》Dream Sequence (Images II) (1976), for violin, cello, piano, percussion (o作纪ne player), and off-stage glass harmonica (two players)

  《弦乐三重奏》String Trio (1982)

  《田园低音》Pastoral Drone (1982), for organ

  《蠢材的田园诗》An Idyll for the Misbegotten (Images III) (1986), for amplified flute and percussion (three players).

  "复活节曙光"Easter Dawning (1991), for carillon

  《探索》Quest (1994), for guitar, soprano saxophone, harp, double bass, and percussion (two players)"曼德斯的犬"Mundus Canis (A Dog's World) (1998), for guitar and percussion

  Piano

  《钢琴奏鸣拜抹曲》Piano Sonata (1945)

  《前奏曲与托陵柜验狼卡塔》Prelude and Toccata (1951)

  "五首作品"Five Pieces (1962)

  《大宇宙I》Makrokosmos, Volume I (1972), for amplified piano

  《大宇宙II》Makrokosmos, Volume II (1973), for amplified piano

  《天上的机械士--大宇宙IV》Celestial Mechanics (Makrokosmos IV) (1979), for amplified piano (four hands)

  《1979年圣诞节小组曲》A Little Suite for Christmas, A.D. 1979 (1980)

  《箴言变奏曲》Gnomic Variations (1981)

  "游行圣歌"Processional (1983)

  "时代精神"Zeitgeist (Tableaux Vivants) (1988), for two amplified pianosEine Kleine Mitternachtmusik (A Little Midnight Music) (2002)

  "来世回响"Otherworldly Resonances (2003), for two pianos

  Vocal

  "四首歌曲"Four Songs (1945?), for voice, clarinet and piano

  "七首歌曲"Seven Songs (1946), for voice and piano

  "三首早期歌曲"Three Early Songs (1947), for voice and piano

  "希腊歌词的循环"A Cycle of Greek Lyrics (1950?), for voice and piano

  《夜乐I》Night Music I (1963, revised 1976), for soprano, piano/celeste, and two percussionists

  《牧歌I》Madrigals, Book I (1965), for soprano, vibraphone, and double bass

  《牧歌II》Madrigals, Book II (1965), for soprano, flute/alto flute/piccolo, and percussion

  《死亡之正歌、吟唱与副歌》Songs, Drones, and Refrains of Death (1968), for baritone, electric guitar, electric double bass, amplified piano/electric harpsichord, and two percussionists

  《四个月亮之夜》Night of the Four Moons (1969), for alto, alto flute/piccolo, banjo, electric cello, and percussion

  《牧歌III》Madrigals, Book III (1969), for soprano, harp, and percussion

  《牧歌IV》Madrigals, Book IV (1969), for soprano, flute/alto flute/piccolo, harp, double bass, and percussion

  《远古童声》Ancient Voices of Children (1970), for mezzo-soprano, boy soprano, oboe, mandolin, harp, amplified piano (and toy piano), and percussion (three players)

  《永恒的光》Lux Aeterna (1971) for soprano, bass flute/soprano recorder, sitar, and percussion (two players)

  《女妖》Apparition (1979), for soprano and amplified piano

  "睡美人"The Sleeper (1984), for soprano and piano

  "为孩子们作的费德里克的短歌"Federico's Little Songs for Children (1986), for soprano, flute/piccolo/alto flute/bass flute, and harp

  "美国歌谣集I:直上山岗"American Songbook I: Unto the Hills (2001), for soprano, percussion quartet and piano

  "美国歌谣集II:一个超越时空之旅"American Songbook II: A Journey Beyond Time (2003), for soprano, percussion quartet and piano

  "美国歌谣集III:生命之河"American Songbook III: River of Life (2003), for soprano, percussion quartet and piano

  美国歌谣集IV:命运之风"American Songbook IV: Winds of Destiny (2004), for soprano, percussion quartet and piano

  "美国歌谣集V:来自于一个被遗忘世界的声音"American Songbook V: Voices from a Forgotten World (2007), for soprano, baritone, percussion quartet and piano

  "美国歌谣集VI:来自于大地早晨的声音"American Songbook VI: Voices from the Morning of the Earth (2008), for soprano, baritone, percussion quartet and piano

  Choral

  《哈利路亚》Alleluja (1948), for unaccompanied chorus

人物评价

  克拉姆的音乐擅长在传统乐器上使用特殊演奏技法成采用非西方乐器制造新颖独特的音响,同时追求深邃的理性,表现一定的思想和情感,既有抽象性际成唱美今这举声演端氧的-面,又有标题性的特点,他的作品内涵比较好理解。其创作大多带有室内乐性质。声乐作品的歌词多取自西易算错束班牙诗人洛尔卡(Federico Garcia Lorca)的诗。

转载请注明出处一千网 » 乔治·克拉姆

分享:

相关推荐

    影视大全